Michel Campistron's paintings, where fluidity and matter are systematically opposed with a certain harshness, as well as the dark atmosphere which emerges from them, authorize him to claim membership in the Catalan and Spanish School of Tapies, Millares, Saura or Valdes.

 

His research focuses on the transformations of things and beings in the face of the test of time and injuries.

The inspiration for his current works draws the artist from ancient myths and hidden corners of the human soul.

She feels a deep connection with nature and creates a picturesque dialogue between nature and the psyche.

 

For Banu Grote, art has a function, it is an instrument for people and a language with which artists and spectators can exchange ideas about souls.

This is why the artist uses themes and materials such as leaves, tree bark, sand, earth, fabric or dust, associated with nature.

The artistic universe of the Slovak artist Monika Sabo is at the very least astonishing or extraordinary.

Dreamlike or particularly realistic, it brings together individuality, human crowds,...

 

These are Singular-Plural Looks which express as much pain, love, passion as emotion, sadness and...joy.

Original works with crucifying faces, the words expressed by Monika Sabo invade us and carry us away.

Influenced by expressionism, he chose to physically create and then dismantle his works.

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It is then the pictorial material itself that becomes the object of the aesthetic experience. First, he stubbornly superimposes dozens of layers of paint, tirelessly repeated. Then comes the stage of deconstruction. With a sure gesture, he scrapes, sands, grinds, tears off the material, as if the background that was hidden had to reappear on the surface, not in its entirety but in traces.

A self-taught artist, Virginie Michel studied live models at La Grande Chaumière in Paris. Her favorite theme is the human figure. She uses mixed techniques based on collages.

 

"Painting imposed itself on me as a necessity, almost a therapy; the starting point is often an insignificant image cut out of a magazine... the memory of faces appears as a genealogical search, basically to simply ask the following question: who am I, who are we?"

Mr. and Mrs. Gorgô merge myths and symbols in an expressive surrealism where each line and color become an invitation to dream and introspection.

 

Mr and Mrs Gorgô, Bénédicte Devillers and Michel Gouteux, paint.

Every thing, every sign, every myth, becomes their pretexts; these are immediately suggested or converted into lines, colours, expressions, into an expressive "surrealism".